I recently completed this little animated spot for the Wump Mucket Puppets and their upcoming touring program "Space is the Place" (yes, that title is a nod to jazz legend Sun Ra ... can you spot the little Ra-related easter egg?) The WMP troupe obviously takes a lot of influence from Sesame Street, and it delights me that people have said this animation gives them that vibe. The telescope scene was done via cutouts. Also in the spirit of Sesame Street, the Wump Muckets also had their performance broadcast on PBS a few years ago. There are currently 27(!) shows booked for the new "Space is the Place" program.
I currently have two ink & watercolor pieces on display and available for purchase at Wooden Hill in Westwood. They have some of the cat totes for sale. also Thanks, Amanda, and her great shop and gallery space!
"Jazz Hands" (ink & paint on tan-colored paper)
"Ocean" (ink & paint on wc paper)
For whatever reason, I have never been the New Year's "resolutions" or looking back, retrospective type. As I sat down on December 31 to make this post about a new book, though, I couldn't help but to ultimately reflect on what has probably been the busiest, most productive year I have had as an artist-educator. So before I get to the book stuff, let me just take a brief minute ...
"Tunnel-Ball" was a truly awesome experience, and it's surreal that it was about ten months ago now that it was published and it seemed like I was spending much of my free time making felt pennants. The release party included the most fun book reading I have ever done to date, the book made it onto the shelves of a few of my favorite stores in the world, and even into the hands of an official MLB mascot. The most rewarding part of all, though, is just hearing the "it has been a bedtime story staple at our house" messages from friends, family, and strangers.
It was also an unexpected year of contributing a couple of pieces to gallery shows in tribute to two musicians who I had always considered massive inspirations (despite obviously bittersweet circumstances). I also did a Kreate-a-Kaiju workshop event, getting to spread my joy of city-crushing Japanese monster creatures with children and adults of all ages in a collaborative setting was simply remarkable.
Another major highlight was/is teaching the Animation Workshop, in which I am doing my best to attempt to create the type of class that I wish had been available to me when I was younger but didn't really have the resources to explore that big, confusing animation realm. I am doing my best to keep the content original, and most importantly: fun. I have big ideas for the AW, starting with gaining some new supplies and materials which should arrive before holiday break is over.
There was also this, which I hope to make in print form at some point in the new year (hopefully by September, which is ITP awareness month). It was also have a new, actual conclusion. would like to print a few copies just to give out or include with regular online store purchases.
Essentially, what I'm getting at is: thank you to everyone for their support in the past year (in any capacity, even if just briefly glancing at this right now), and now, a brief glimpse of one of the things to come in the future.
This current holiday break also means, as I originally eluded to, that I have officialy began the production of a new picture book. I have tentatively had this one in the works prior to Tunnel-Ball coming out, during the final stretch of everything being put together and sent off to the printers. However, as is typically the case, the entire story was reworked numerous times to get to what it is currently. I'm sure there will be plenty of updates here along the way, but all I will say for now is ...
- After a brief hiatus (Tunnel-Ball's b&w), the book will be in color
- It may or may not have words (!)
- There are tentative plans to have a broader scale expansion/"performance" of the book, expanding on how the T-B was done (see link to post above)
- That storyboard in the first picture gives nothing away (unless you can accurately decipher the "TBCP" acronym ... if that is even still the title by the time it comes out)
- The third picture is my brand new lightbox, which I'll mostly be using to make the book. The wooden part underneath was made by my (carpenter) father. I wanted a better solution to keeping the translucent surface underlit without just cramming a desk lamp underneath. This wood panel has a strip of longlasting LED lights that lights it up perfectly.
- Lastly, the final pic (a pencil sketch of one of the earliest pages), also gives virtually nothing away.
I have mentioned the work of the husband-wife duo John and Faith Hubley on the blog a couple of times before, from their bread and butter (animation) to vintage jazz magazine covers by John.
I recently came in possession of an anti-war children's book of theirs, The Hat, which was first an animated short from '63. The book is dedicated to jazz musicians Dizzy Gillespie and Dudley Moore, who also happen to play the two soldier protagonists of the story (and who actually voiced the characters in the film). I had not been aware that a couple of the Hubley shorts had been translated to children's books by the couple them-self, this one and 73's Dig! A Journey under the Earth's Crust.
What is so interesting about the books is that they seem to capture the same artistic value of the animated shorts in print form, because they apply a similar animation aesthetic rather than following the typical picture book design standard. For example, some of the pages are formatted as if it were a film storyboard ... a bunch of thumbnail squares across the page with text underneath, rather than those being expanded for a full page illustration or spread. The same artistic techniques are also used on the book, such as the unique crayon/watercolor silhouettes of the characters.
Here are a few scans of some of my favorite pages ...