I recently launched a YT channel to archive short animations and films made at Floating Shape Workshops events. This will be a work in progress managing different videos and getting them uploaded as time goes on. So far, you can see things like the one posted below, as well the collaborative, some filmed flipbooks, and the live animation created at this past weekend's workshop at Thunder-Sky, Inc.
Below is a short cutout animated promo for tomorrow's workshop at the Price Hill Library. After the Mini Microcinema screens animated films in Spanish (Películas para Niños en Español) from the New York International Children's Film Festival, FSW will be having a flipbook workshop from 1-2 PM!
And here is a collaborative animated story from a few days ago made by seven children (ages 5-8) at the downtown branch of the Public Library of Cincinnati.
Thank you to Inhailer.com for having me over to their studio to be a guest on Brat Chat with Belinda Cai today. It was great getting to have an in-depth conversation about the formation of Floating Shape Workshop, our upcoming summer schedule, and how animation can be such a strong communication tool for children. There are no archived shows/podcasts yet, but when/if it becomes available in the future, I will certainly post a link.
Belinda even received the very first FSW button!
Here are some key dates for the Floating Shape Workshop this summer.
UPDATE: We have also since booked a workshop at the Price Hill Library on Saturday, July 22, a special flipbook workshop following the screening of "Films for Kids in Spanish / Películas para Niños en Español" courtesy of the Mini Microcinema.
Click here for the detailed full schedule including registration & sign up info. Some workshops, like the Price Hill Library event mentioned above are free and open to everyone!
I did the cover for the June issue of The Northsider. It's out! And it features some anthropomorphic suns building some sort of "summer machine" ...
Honored to make this for the great Damien Jurado. He is launching into a tour of all 50 states, starting here in Ohio next month, from small coffeeshops to regular=sized venues. I can't wait to catch the Cinci show at the Woodward Theater.
Update: A limited number of prints are currently available in the store.
The FSW will be doing a one week summer camp workshop this July. There will be a couple of more this summer, but this is the first one booked and currently taking registrations.
There are only a couple of spots left! See below for registration instructions.
I announced the Floating Shape Workshop a couple of months ago. It is a mobile version of the animation workshop I started teaching this year. I plan on bringing the workshop to other summer camps, libraries, and various other children's events/activities.
July's workshop should be a fun one, as it will take place at my good friend Tara's awesome shop/craft studio space, where I have done a couple of book reading events. Please check out the FSW tab located above on this website for a full description ... as a reminder, the workshop is recommended for children in a roughly 7-14 age range.
Floating Shape Workshop at Robot Inside / July 24-28.
Registration: Visit Robot Inside's Summer Camp page, scroll down to the camp labeled "ANIMATION WORKSHOP". Located there is a Paypal "Buy Now" icon. The registration cost covers all materials and supplies.
Thanks and perhaps I'll see you and/or a young one in your life there!
Here are a couple of drawings for a short story / mini-comic that I submitted for Hobart Pulp's 2017 Baseball Annual. It didn't make it, but the editor seemed to like it, and it was a lot of fun to make. It was based off of an otherwise forgettable, irrelevant game I attended in 2010, when Akinori Iwamura hit a shallow fly to center that the opposing center fielder lost in the ballpark's lights. It sent my friend and I into a mental conundrum about baseball scoring policies when Iwamura made it to third and it was officially ruled a "triple". Ironically, as I was in the middle of making it, I saw the news that Iwamura had just announced his retirement from baseball.
I had a blast at yesterday's special Earth Day reading of Tunnel-Ball. The duo dry erase/chalkboard easel (typically used in the animation workshop) was a nice touch that I plan to keep using in the future. It was great to get to utilize my silly book about a baseball team from Earth for a greater good. Afterwards, I got to do some request drawings for the young ones while they made their own seed paper, courtesy of Cincinnati artist-crafter Annie Roth. Thank you to pal Tara at Robot Inside for putting this one and for their week-long Earth Day festivities.
I will be doing a special reading of "Tunnel-Ball" on Earth Day (April 22) in a few weeks to kick off all of the Earth Day activities at Robot Inside. It's going to be fun!
Tomorrow is the opening reception for "Thunder-Snow", the new show at the Thunder-Sky, Inc. gallery in Cincinnati. Myself and several other local artists contributed blizzard-themed pieces in memory of heavy snowfall, other major natural events, and/or the great Cincinnati blizzard of '78. The painting that I submitted is below. I hope to see you there on Saturday (grab a delicious burrito next door at The Comet)! The opening is from 6-10 PM.
- CityBeat has graciously included the show in their "weekend to do list".
- As has Movers&Makers.
- Great article from The Enquirer.
4573 Hamilton Ave
Cincinnati, OH 45223
My extremely hardworking, creative puppeteer pal Terrence and his Wump Mucket Puppet troupe make their PBS television debut this weekend on the season premier of Cincinnati affiliate CET's "The Art Show". I was at the filming at the Taft Museum back in August and the show and turnout was fantastic, I can't wait to see it translated on the screen. It will air on Saturday, January 7th (6PM) and Sunday the 8th (8PM). Check your local listings and try to catch it!
For whatever reason, I have never been the New Year's "resolutions" or looking back, retrospective type. As I sat down on December 31 to make this post about a new book, though, I couldn't help but to ultimately reflect on what has probably been the busiest, most productive year I have had as an artist-educator. So before I get to the book stuff, let me just take a brief minute ...
"Tunnel-Ball" was a truly awesome experience, and it's surreal that it was about ten months ago now that it was published and it seemed like I was spending much of my free time making felt pennants. The release party included the most fun book reading I have ever done to date, the book made it onto the shelves of a few of my favorite stores in the world, and even into the hands of an official MLB mascot. The most rewarding part of all, though, is just hearing the "it has been a bedtime story staple at our house" messages from friends, family, and strangers.
It was also an unexpected year of contributing a couple of pieces to gallery shows in tribute to two musicians who I had always considered massive inspirations (despite obviously bittersweet circumstances). I also did a Kreate-a-Kaiju workshop event, getting to spread my joy of city-crushing Japanese monster creatures with children and adults of all ages in a collaborative setting was simply remarkable.
Another major highlight was/is teaching the Animation Workshop, in which I am doing my best to attempt to create the type of class that I wish had been available to me when I was younger but didn't really have the resources to explore that big, confusing animation realm. I am doing my best to keep the content original, and most importantly: fun. I have big ideas for the AW, starting with gaining some new supplies and materials which should arrive before holiday break is over.
There was also this, which I hope to make in print form at some point in the new year (hopefully by September, which is ITP awareness month). It was also have a new, actual conclusion. would like to print a few copies just to give out or include with regular online store purchases.
Essentially, what I'm getting at is: thank you to everyone for their support in the past year (in any capacity, even if just briefly glancing at this right now), and now, a brief glimpse of one of the things to come in the future.
This current holiday break also means, as I originally eluded to, that I have officialy began the production of a new picture book. I have tentatively had this one in the works prior to Tunnel-Ball coming out, during the final stretch of everything being put together and sent off to the printers. However, as is typically the case, the entire story was reworked numerous times to get to what it is currently. I'm sure there will be plenty of updates here along the way, but all I will say for now is ...
- After a brief hiatus (Tunnel-Ball's b&w), the book will be in color
- It may or may not have words (!)
- There are tentative plans to have a broader scale expansion/"performance" of the book, expanding on how the T-B was done (see link to post above)
- That storyboard in the first picture gives nothing away (unless you can accurately decipher the "TBCP" acronym ... if that is even still the title by the time it comes out)
- The third picture is my brand new lightbox, which I'll mostly be using to make the book. The wooden part underneath was made by my (carpenter) father. I wanted a better solution to keeping the translucent surface underlit without just cramming a desk lamp underneath. This wood panel has a strip of longlasting LED lights that lights it up perfectly.
- Lastly, the final pic (a pencil sketch of one of the earliest pages), also gives virtually nothing away.
A few years ago, I made a post about growing up with the works of Cincinnati-based artist Charley Harper. Thanks in part to things like a lavish coffeetable book of his life's work being published, Harper is no longer a secret limited to the Cincinnatians who witness his murals on downtown buildings and in ever art museum's giftshop.
That said, Harper's wife and collaborator, Edie (1922-2010), does seem to remain largely unknown. That is why I was thrilled to hear that the first ever career retrospective of Edie's just opened across the river in Covington, Kentucky: "E is for Edie".
My mind was utterly blown at all of the different mixed media pieces in this show, from works that mimic Charley's ultra-stylized animals to classic children's book-looking paintings in gouache to woven textile pieces to stylized pen & ink illustrations based on Biblical stories. Check out the slideshow below and please check out this show if you can.